Feeling a little jaded with traditional theatrical formats? Try 'Removal Men'.

Cinema can be great in showing us people and places we have never imagined, let alone seen. Like 'Starless Dreams'.

Tumultuous: that’s how a young London activist describes the moment he “learns that the kind of characteristics that are inherent in dirty politicians” can happen within progressive political movements too.

Playwrights like drones and drone pilots: they operate in a tightly confined space, raise moral problems about war, spark introspection and argument, involve life and death decisions, and wreak death and destruction.

Mix mother-daughter tensions with international control over petroleum resources and you get 'Oil', at the Almeida Theatre.

Judged by its own ambition, 'The Island Nation' is not an outstanding play, but it’s important. More: it’s a triumph.

'Chasing Asylum' tells the appalling story of what it rightly calls “Australia's cruel, inhumane treatment of asylum seekers and refugees”.

“The Internet is the spirit of evil. It’s the anti-Christ,” says a mother shocked to the core by trolls who obtained gruesome police photos of her dead daughter, mutilated in a car crash in 2006, and sent them to the family with sneering comments.

'A Man Of Good Hope' is a musical, but not a musical as you know it.

Some 40 years ago, development gurus like to say, South Korea and Ghana had the same income per capita. Now South Korea has shifted to “developed, high-income” status in a single generation.